Here are some quotes the Artists Network is starting to gather on the role of art in society, why and how art matters in changing the world.

We welcome comments

"Artists and musicians all through the ages, when laws and times have changed, have been part of it somehow or another and in some way or form. You've got to have a song. Got to have something to dance to. You've got to have something to build up your courage, or your belief in yourself."
-- Horace Tapscott

"I still believe that when a play questions even threatens our social arrangement, that is, when it really shakes us profoundly and dangerously, that is when you've got to be great: good isn't enough."
-- Arthur Miller, 1966

"A play presents a self-enclosed little world for the audience to examine. It's an opportunity to look objectively at a group of people, to assess them, to react to them, and to measure oneself against them, to ask, 'Am I like that?â "
-- Wallace Shawn

"The trouble is that once you see it, you can't unsee it. And once you've seen it, keeping quiet, saying nothing, becomes as political an act as speaking out. There's no innocence. Either way, you're accountable."
-- Arundhati Roy

"What is happening to the world lies, at the moment, just outside the realm of common human understanding. It is the writers, the poets, the artists, the singers, the filmmakers who can make the connections, who can find the ways of bringing it into the realm of common understanding. Who can translate cash-flow charts and scintillating boardroom speeches into real stories about real people with real lives. Stories about what it's like to lose your home, your land, your job, your dignity, your past, and your future to an invisible force. To someone or something you can't see. You can't hate. You can't even imagine."
-- Arundhati Roy, "The Ladies Have Feelings, So... Shall We Leave it to the Experts?" A Talk, February 2001

"We're not a message group, this is our life experience."
-- dead prez

"...writers have not and should not now exempt themselves from dealing with the pressing politics of the time. Today it is, once again, war and empire. And it is with these monstrosities that we should engage in one form or another. What would Euripides, Marlowe or Brecht have done? They would have made these times strange, to use a Brechtian formula, so that an audience could see their society anew and possibly act on those new visions. Why settle for a lesser goal?"
-- Naomi Wallace

Q (to Tony Kushner): "Does art heal?"
TK: "I think that people do go to art in general as a way of addressing very deep, very intimate, very mercurial and elusive, ineffable things in a communal setting. It ends a certain kind of inner loneliness. Or it joins one's own inner loneliness with the inner loneliness of many other people. And I think that can be healing."

From Adrienne Rich, in 1974:
"The poet today must be twice-born. She must have begun as a poet, she must have understood the suffering of the world as political... and on the other side of politics she must be reborn again as a poet..." In 1993 she amends this: "...But today I would rephrase this: it's not a matter of dying as a poet into politics, or of having to be reborn as a poet 'on the other side of politics' (where is that?) but of something else---finding the relationship."

"[I]t is part of the magic of art that we can do in this sphere what is not yet realizable in the sphere of material social relations. Lending material expression to our dreams in the form of artistic works will contribute to laying the basis for these fundamental social transformations we aspire to."
-- Ardea Skybreak

"The bombing of the little girls in Alabama and the murder of Medgar Evers were like the final pieces of a jigsaw puzzle that made no sense until you had fitted the whole thing together. I suddenly realized what it was to be Black in America in 1963, but it wasn't an intellectual connection ...it came as a rush of fury, hatred and determination. In church language, the Truth entered into me and I `came through.' ...An hour later I came out of my apartment with the sheet music for 'Mississippi Goddam'â in my hand. It was my first civil rights song and it erupted out of me quicker than I could write it down."
-- Nina Simone

"The artist must elect to fight for freedom or slavery. I have made my choice, I had no alternative."
-- Paul Robeson

"Although man's social life is the only source of literature and art and is incomparably livelier and richer in content, the people are not satisfied with life alone and demand literature and art as well. Why? Because, while both are beautiful, life as reflected in works of literature and art can and ought to be on a higher plane, more intense, more concentrated, more typical, nearer the ideal, and therefore more universal than actual everyday life. Revolutionary literature and art should create a variety of characters out of real life and help the masses to propel history forward. For example, there is suffering from hunger, cold and oppression on the one hand, and exploitation and oppression of man by man on the other. These facts exist everywhere and people look upon them as commonplace. Writers and artists concentrate such everyday phenomena, typify the contradictions and struggles within them and produce works which awaken the masses, fire them with enthusiasm and impel them to unite and struggle to transform their environment."
-- Mao Tsetung

"It's very frustrating because as artists our role in society is to fantasize, to imagine things. In Palestine you keep on banging against reality and the situation which is the overcloak of everything. It is always there. You can't escape it; you can't fly too high. You start shaking your wings and you bang into a checkpoint. It is very frustrating because you keep on banging against walls, walls like the political situation, our conditions and the war. But it's rewarding because of the few times you do fly. You are stronger than the situation and the reality and you just take them and swallow them inside you and use them as your raw material and fly. That's a victory. This is what keeps me working and moving until now."
-- Nizar Zubi, from an interview with Nizar Zubi and George Ibrahim, directors of AL-KASABA, a theater group from Ramallah (Palestine)

"Art not only influences politics tremendously but there is also a sharp struggle in the realm of art over what will be produced, what will be supported, and there are many different ways that the bourgeoisie, the ruling class, has of controlling art. In fact, in the U.S. at this time, they prefer to do it without having to show a heavy hand to the degree that this is possible. They prefer to do it by pretending to have pluralism just as they pretend to have it in the political sphere--that there is no political character, no class character to our art, just different viewpoints, expressing people's different ways of looking at the world."
-- Bob Avakian

"[They] put me on the Today program... and I sang "Brown Baby." ...And it was the day when they were reporting the news about the girls getting blown up down there in Alabama. When I sang 'Brown Baby'â they were crying. And they got more cards and letters then they ever gotten from anybody that they had on in the nine years. And all the cards and letters were positive. There was not one KKK attitude in that at all... And I discovered then that this is something that they don't want. They're ready for the guy who says "Off the Pig!" ...They wish the hell you would come with that. You know. Because they want to kill you. But if you say something that is going to endear you to other people. If you're going to create sympathy. If you're going to create a beauty. If they're going to see you in another light. That, the establishment will not tolerate!"
-- Oscar Brown Jr.

"I believe that music is perhaps our greatest means of amassment. You know, a song can do so much. It can make you feel something that you were already feeling but weren't truly in touch with, you weren't able to grasp it... "
-- Saul Williams

"What I need from my artists is a sense of urgency... And I need a sense of collective responsibility, not just where the artist feels this, but where the artist makes the whole audience feel a collective responsibility sitting there together, even if we don't know each other."
-- Danny Hoch

"What do you think an artist is? An imbecile who has only eyes, if he is a painter, or ears if he is a musician, or a lyre in every chamber of his heart if he is a poet, or even, if he is a boxer, just his muscles? Far from it: at the same time, he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and with a cool indifference to detach yourself from the very life which they bring to you so abundantly? No, painting is not done to decorate apartments. It is an instrument of war."
-- Pablo Picasso

"Art can take our unexpressed thoughts and desires and fling them with clarity and coherence on the wall, a sheet of paper, or against the silence of history."
-- Adrienne Rich

"People should fear art, film, and theatre. This is where ideas happen. This is where somebody goes into a dark room and starts to watch something and their perspective can be completely questioned... the very seeds of activism are empathy and imagination."
-- Susan Sarandon